We wish to advise Aboriginal and Torres Strait Islander viewers that this website may contain images and voices of people who are deceased. Care and discretion is advised when accessing the content within Aboriginal and Torres Strait Islander Communities.
Open or close the naviagtion menu
Open or close the Search
Dylan Sarra, 2025. Photograph: Louis Lim.

Carved in cedar, scarred by fire: Dylan Sarra’s powerful homage to resistance and Country to debut at CIAF '25

04 Jul 2025

View all Articles

Taribelang and Gooreng Gooreng (Bundaberg region) artist Dylan Sarra will be among the standout exhibitors at this year’s CIAF, unveiling a profoundly moving new body of sculptural work presented by Mitchell Fine Art as part of the Art Fair Showcase, 11–13 July 2025.

Dylan Sarra, 'Stone-Tipped Spears' (Series of 13), Eucalypt, jasper stone, acrylic, emu feathers, cotton tree and resin Install, each 210 x 6 cm.

A multidisciplinary artist whose practice spans printmaking, sculpture, and installation, Sarra draws from deep cultural memory and truth-telling to challenge colonial narratives and revive stories long buried.

At the heart of Sarra’s CIAF 2025 presentation are a series of Gulmari shields - scorched and inscribed with meaning alongside handcrafted glass and stone-tipped spears. Each carved shield and spear carries memory and an ongoing reckoning with truth: How it was hidden, how it survived, and how it must now be seen.

Marked with a gradual burn that spreads and overtakes the surfaces, the Gulmari shields speak to violent acts of cultural erasure when truth was often burnt and buried to protect colonial interests.  Each shield is hand-carved and painted with designs of natural ochre sourced from on Country. The surfaces are marked and struck with weaponry and lead balls of the same size as the original colonial bullets.  Each shield is then burnt with fire and finished with a matte sealer. 

The glass and stone-tipped spears represent cultural continuity, collective identity, and resistance rooted in Country.

The collection of glass-tipped spears references the Queensland Native Police, which were established to carry out the expansion of colonial settlement across the state in the late 1800s. They draw from historical accounts of material improvisation by Aboriginal troopers and speak to invasion, violence, and cultural erasure.

The stone-tipped spears, crafted with hand-knapped jasper stone and adorned with emu feathers, draw from traditional practices while incorporating contemporary airbrushed patterns.

“These spears assert presence and survival. They are not weapons of conquest but markers of belonging,” said Sarra.

“My work is about connecting to ancestral voices still embedded in place. By carving and creating, I am continuing a legacy interrupted by colonisation—one that carries strength, knowledge, and survival. This is not the whole story. Instead, it is the beginning.”

A four-time Telstra NATSIAA finalist, Sarra’s work is held in significant national collections including the Queensland Museum and Griffith University Art Museum. In 2024, he was named the inaugural First Nations Fellow at the Queensland Museum, where he continued his research into the Burnett River petroglyphs and ancestral knowledge systems.

CIAF Artistic Director Teho Ropeyarn said Sarra’s work embodies this year’s theme, Pay Attention!

“Dylan’s Gulmari series offers a visceral expression of remembrance and reckoning. These works are not just sculptural—they’re testimonial. They speak to a legacy of cultural survival and the courage to face what was hidden. They compel us to pay attention to truth, Country, and the stories still waiting to be told,” said Ropeyarn.

Dylan Sarra’s Gulmari series will be presented in Tank 3 as part of Mitchell Fine Art’s exhibition at CIAF 2025, from Friday 11 to Sunday 13 July.

Dylan Sarra, Stone-Tipped Spears (Series of 13), Eucalypt, jasper stone, acrylic, emu feathers, cotton tree and resin, Install, each 210 x 6 cm.